New Aesthetics with Minimal Climate Impact: Part 1 – Curation - Zeppelin Museum

"Into the deep" exhibition view
Zeppelin Museum Friedrichshafen

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A chunk of bauxite, fractured samples as examples of aluminum research, and a display case illustrating aluminum production mark the beginning of the exhibition tour through "Into the Deep."
Zeppelin Museum Friedrichshafen, Foto: Tretter
The Luftschiffbau Zeppelin GmbH produced various aluminum household items under the brand "Zeppelin Decorative Metal" starting in 1930.
Zeppelin Museum Friedrichshafen, Foto: Tretter
The Zeppelin silo (left) symbolizes the reorientation of the Zeppelin companies after World War II.
Zeppelin Museum Friedrichshafen, Foto: Tretter

Nachbau der vorderen Gondel des Luftschiffs LZ 1. — Replica of the front gondola of the airship LZ 1.
Zeppelin Museum Friedrichshafen, Foto: Tretter

Der Experimantalwagen der Schwäbischen Hüttenwerke GmbH aus Wasseralfingen. — The experimental car of Schwäbische Hüttenwerke GmbH from Wasseralfingen.
Zeppelin Museum Friedrichshafen, Foto: Tretter

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(1) From the Zeppelin Hangar to the "Into the Deep" Exhibition: The SHW Experimental Car. A permanent loan from the Deutsches Museum Munich.
Zeppelin Museum Friedrichshafen
(2) From the Zeppelin Hangar to the "Into the Deep" Exhibition: The SHW Experimental Car. A permanent loan from the Deutsches Museum Munich.
Zeppelin Museum Friedrichshafen
(3) From the Zeppelin Hangar to the "Into the Deep" Exhibition: The SHW Experimental Car. A long-term loan from the Deutsches Museum Munich.
Zeppelin Museum Friedrichshafen, Foto: Tretter

Bei Nautilus New Era (extended) handelt es sich um eineerweiterte Version des Werks, das ursprünglich in der Gruppenausstellung Ascending from the Liquid Horizon, kuratiert von Kati Ilves. — "Nautilus New Era (extended)" is an extended version of the piece originally exhibited in the group exhibition "Ascending from the Liquid Horizon."
Zeppelin Museum Friedrichshafen, Foto: Tretter

Kristina Õllek erweckt ihr künstliches Seebett mittels Spirulina zum Leben. — (1) Kristina Õllek brings her artificial seabed to life using spirulina.
Zeppelin Museum Friedrichshafen

Kristina Õllek erweckt ihr künstliches Seebett mittels Spirulina zum Leben. — (2) Kristina Õllek brings her artificial seabed to life using spirulina.
Zeppelin Museum Friedrichshafen

Bethany Rigby arrangiert ihre Arbeit Mining the Skies, die aus einer Sammlung geologischer Simulatoren der Europäischen Weltraumorganisation (ESA) und Metallmeteoriten, — Bethany Rigby arranges her work "Mining the Skies."
Zeppelin Museum Friedrichshafen

Bethany Rigbys Installation Mining the Skies setzt sich kritisch mit extraterrestrischer Bergbauforschung, vor allem dem Asteroidenbergbau, auseinander. — Bethany Rigby's installation "Mining the Skies" critically examines extraterrestrial mining research, particularly asteroid mining.
Zeppelin Museum Friedrichshafen, Foto: Tretter

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